In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
Lee Israel (Melissa McCarthy) made her living in the 1970's and 80's profiling the likes of Katharine Hepburn, Tallulah Bankhead, Estee Lauder and journalist Dorothy Kilgallen. When Lee is no longer able to get published because she has fallen out of step with current tastes, she turns her art form to deception, abetted by her loyal friend Jack (Richard E. Grant). An adaptation of the memoir "Can You Ever Forgive Me?" relays the true story of the best-selling celebrity biographer (and friend to cats).Written by
Fox Searchlight Pictures
A Low-key Comic Drama That Showcases Melissa McCarthy's Talent
Going into CAN YOU EVER FORGIVE ME? I had rather low expectations. As I walked out of the theater, I was impressed by the fact that director Marielle Heller and actress Melissa McCarthy (who last starred in the disastrous THE HAPPYTIME MURDERS) had managed to make me care about a film focused on subject matter that I found rather uninteresting to begin with. The concept at the heart of this film will certainly appeal to some, but unfortunately for me, it was the one thing actively working against the film from the get-go. And indeed, during the film's rather dull first ten minutes, I feared that I would be bored for the next hour and a half. Thankfully, however, the introduction of Richard E. Grant's character immediately elevated the film, and his dynamic with McCarthy's Lee Israel (an author who forged hundreds of letters in the 1990s) is undoubtedly the highlight of the film, providing hearty laughs and emotional depth in equal measure. And McCarthy herself proves more than capable of handling a meaty dramatic role that aptly showcases her talent and makes one wish that she didn't star in such films as the aforementioned HAPPYTIME MURDERS. To all the filmmakers out there: McCarthy has talent. Use it.
I might not have been very invested in the film's story, but McCarthy and Grant (who should definitely be in the running for a Best Supporting Actor nomination next year) certainly make CAN YOU EVERY FORGIVE ME? worth watching.
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